Some data exist on the aims of cancer patients while using CAM. yoga, meditation) and energy-based methods (e.g. homeopathy), body-centred techniques (e.g. micronutrients, other supplements, diets), holistic systems (e.g. CAM comprises a vast group of different methods and techniques such as biological-based methods (e.g. Patient information and communication with clinicians need to address cancer patients’ individual aetiological concepts to further patient’s understanding not only of their diagnosis but also of the treatment as well.Ĭomplementary and alternative medicine (CAM) is often used by cancer patients (Huebner et al. Their connection to use of CAM methods, lifestyle choices and self-efficacy should be explored in more detail. They are complex and presumably highly individualistic. Lay-aetiological concepts of cancer differ significantly from scientific ones. Interest in CAM can arise for many reasons that are not necessarily related to self-efficacy. No conclusive correlations emerged between lay-aetiological concepts and most other variables, but we found a tendency for higher self-efficacy among patients who assigned higher carcinogenic effects to tobacco and lower carcinogenic effects to fasting and physical trauma. Higher self-efficacy correlated with healthy diet and sports, but not with use of CAM. An exploratory factor analysis yielded vague indications of possible underlying concepts but factors tend to include items that do not fit the pattern in terms of content. Patients considered scientifically proven agents as well as other non-carcinogenic influences to be responsible for their disease. Correlations were examined and an exploratory factor analysis conducted to identify comprehensive lay-etiological concepts among a list of potential carcinogenic factors. Methodsģ53 oncological patients attending lectures on CAM answered a questionnaire. It aims to find patterns which may facilitate communication and understanding between patients and physicians. This survey assesses cancer patients’ etiological concepts, lifestyle choices, use of complementary and alternative medicine (CAM), and self-efficacy, as well as associations between those.
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In addition to the CGI, the voice of Muhammad is an illustrative example: letting alone professional actors, I am sure that even among Iranian children doing TV commercials there are who are by far better voice actors, both in terms of enunciation and acting, than the kid chosen in this film for the role of Muhammad. This evinces an odd feature of this film: the sense of perfectionism in this film is oddly inconsistent some parts are perfected masterfully with amazing care, and a few are not even average. The CGI was noticeably weak understandable, since it was the very first experience Iranian cinema went through, but still, within the given bounds, could be trimmed down and could easily be improved significantly. The second act is stale, and the last act, though adequate, could be substantially improved. Though the story does justice vis-à-vis this challenge, it is far from perfection the script does not mesh well with the visual artistry. Hence, the point of view must be shifted, the story must unfold from distributed viewpoints, that must gel together skillfully in order to retain coherence. It is of note that, the filmmaker, working within the confines of Islamic conventions, cannot show Muhammad's face, which undeniably renders the project formidable. The historical period drama, said to be the first part of a trilogy, focuses on prophet Muhammad's childhood. Juxtaposed with masterful cinematography of Storaro (although occasionally overdone), Majidi delivers imagery that satisfies aesthetic palates superbly. The film immerses the audience in an orchestra of beautiful colors, Majidi's specialty, and an outpouring of sublime tunes. Find regular inspiration with frequent new additions to the Collective, to continue your musical journey.Majidi is a king within the realm of art film, and he sure faced immense challenges managing the first Iranian cinematic project of this scale. 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Watch on Netflix UK How we recommend watching Tokyo Ghoul We would probably only recommend this to people who are rewatching Tokyo Ghoul: You may prefer to watch Tokyo Ghoul in true chronological order. Watch on Netflix UK Tokyo Ghoul in chronological order Watch Jack on Netflix UK / Watch Pinto on Netflix UK If you want to watch Tokyo Ghoul in the exact order it was released, this is how to do it: Do note, however, that you may not have access to English subs or dubs on Netflix Japan. Netflix Japan is one of the only regions that carries the movie, and ExpressVPN works effectively for accessing that, too. To watch the live-action Tokyo Ghoul movie, your best bet is to use a Japan VPN. These instalments are available on UK Netflix, and in our testing ExpressVPN has no trouble unblocking content when using UK servers. If you want to watch the first three seasons of Tokyo Ghoul, as well as the Jack and Pinto OVAs, we recommend using a UK VPN. Our top choice is ExpressVPN, but our Netflix VPN guide offers some good alternatives, too. So, if you've only got Netflix you won't be able to watch.īy using the best VPN, you can change your location and watch Tokyo Ghoul on Netflix while you're in the US. In the US, Canada, and some other countries, Tokyo Ghoul isn't available on Netflix and is carried by other streaming services like Hulu. Plus, Tom's Guide readers can now claim three months free on any 12-month plan. With excellent speeds, unrivalled location spoofing power and easy-to-use apps, it's the perfect choice for watching Tokyo Ghoul in order anywhere. ExpressVPN is our #1 recommendation for watching Tokyo Ghoul on Netflix. Medina had grown up poor in East Los Angeles but his life changed when he befriended a rich white teenager, whose family lived in Beverly Hills and allowed Medina to live with them. In 1990, music manager Benny Medina, along with his business partner, real estate mogul Jeff Pollack, decided to market a TV story based on Medina's life. From top left: Karyn Parsons, Joseph Marcell, Janet Hubert-Whitten, Alfonso Ribeiro. The cast of The Fresh Prince of Bel-Air, seasons 1–3. Also plays Maurice's sister in the same episode.Īrnold Jackson-Drummond, open house attendee. The Minister, who happens to be an Isaac Hayes impersonator, assigned to officiate Will's express wedding. Louise Jefferson, couple's therapy member. Also in season 6 episode 5 again playing Himself. Returned in season 6, episode 20 to co-host bloopers of the show with Will Smith. Michelle Michaels, a famous singer/celebrity. Also plays "Duane" a repair man in the same season. Keith Campbell, Will's comedian friend from Philly. Also George Jefferson in seasons 5 and 6.Ĭindy, Hilary's imagined ideal baby sister. He returns as Bryan in season 4.Ī bully that confronts Carlton, but fights Will instead. Sonya Lamor, Uncle Phil's celebrity client. Ice Tray, Will's best friend from Philadelphia. Celebrityĭr Mumford, father of Will's love interest. Seasons 1 and 6 had the highest celebrity participation with over 10 celebrity guest stars each. The show is notable for having a heavy celebrity guest presence with more than forty celebrities guest starring throughout the series.
Players have the choice to smooth out the image and even add or remove the old scan lines from the picture. The other bit of visual flair comes in the form of video filters. This “least amount of effort possible” ho-hum design also spills over into the various menu screens. With a wealth of concept art, and just Marvel art in general, it’s a shame things weren’t spiced up a bit with some great artwork in the frames. However, when looking at the regular 4:3 presentations, the sidebars on the screen are filled with a drab gray. Most likely that the majority of players will pick a perspective that falls somewhere in between those two extremes, it’s nice to have the options. Players are offered a variety of viewing angles from an over-the-shoulder, standing at the arcade cabinet look to a stretched-out fill-the-entire-television-screen view and everything in between. There’s no shortage of options in this department due to the number of screen sizes and image filters that can be applied to the game. The visual presentation of MVC:O is a bit of a mixed bag. Again, this really shouldn’t even be considered a bad thing, as purists will love the integrity preserved here, but for those that don’t want to put in a little effort, they might not be so happy with the experience. These are both fighting game fans’ fighting games, and the casual player will have their work cut out for them. Capcom 3 and its off-shoots are not so easily obtained here. The button-mashed victories that can be “achieved” in Marvel vs. The uninitiated will be keen to remember that these games were released at a time when arcade fighters were still fairly popular, and success was based on the mastery of the mechanics within, not given by accessibility to a mass audience. If there’s anything that could be considered somewhat negative to be thrown in the direction of MVC:O, it’s that it will be hard pressed to attract many newcomers to the genre. Even noting the differences between the two games offered shows what a leap fighters took in just a couple years. The two-game package also serves as a great history lesson of the genre. Sure there are still some odd difficulty spikes that were designed to eat quarters rather than promote balance, and the speed and responsiveness of today’s fighters are definitely a step ahead, but these bumps in the road are easily overlooked once the player is knee-deep in digital fisticuffs, basking in the bliss of pure, untainted fighting mechanics. Overall, both games are a joy to pick up again and shine as an example of the timelessness of solid gameplay mechanics. Capcom franchise shouldn’t have too much trouble jumping into the thick of things. Team-based matches, advancing guard and a handful of other fighting game staples can all be seen here, and players mostly familiar with only newer entries into the Marvel vs. This is due to the fact that this game features many of the foundational mechanics that are still present in modern fighters. Marvel vs Capcom: Clash of Super Heroes first hit arcades in 1998, and almost fifteen years later, it still holds up really well. Fans of the recent Avengers movie will also get a taste of Thanos to tide them over until he shows up in another flick. These will act as power-ups that the player has at their disposable and knowing when to use them, and which ones best benefit which character, can help swing the outcome of a match. The hook here is the inclusion of Infinity Gems. Its one-on-one combat still plays like Street Fighter but with a ten-man roster of Marvel characters. Marvel Super Heroes, which originally debuted in 1995, is the more basic of the two titles on hand. The arcade-perfect recreation of both games is indeed a mostly successful endeavor, but that’s not to say the game isn’t without a few quirks here and there. Capcom: Origins ( MVC:O) manages to pack two complete arcade games into one digital package, and even though there might be some character and move overlap, each title offers a different take on the fighting genre that will keep players on their toes as they jump back and forth between the two. Does this downloadable duo make the old feel new again, or is Capcom simply looking to cash in on gamer nostalgia, as well as the current pop culture frenzy surrounding all things Marvel-related? Capcom: Origins, featuring both of the aforementioned titles. Should those players, as well as any newcomers, require a trip down fighting-game memory lane, Capcom is happy to oblige with the recent release of Marvel vs. Gamers old enough to remember the days of putting their quarter up on the ledge of an arcade cabinet’s screen so that they “got next” no doubt have some level of familiarity with both Marvel Super Heroes and Marvel vs. Scripting on this page enhances content navigation, but does not change the content in any way. The path must be entered as %JAVA_HOME%\bin.Ĭlick OK to close the Edit System Variable dialog box.Ĭlose the Environment Variables and System Properties dialog boxes. If it is there, cut and paste it (including the terminating semi-colon) to the front of the list otherwise, type it. In the path string, locate the JAVA_HOME path. Under System Variables, double click the Path variable to open it for editing. If this JAVA_HOME path is not the first path in the string, continue to the next step. If this JAVA_HOME path is the first path in the string, close the Environment Variables and System Properties dialog boxes and follow the instructions in Installing Oracle GoldenGate Director Server. In the Environment Variables dialog box, look for the Path variable under System Variables.Ĭonfirm that the path to JAVA_HOME appears as the first path in the list of paths. Programs such as the Oracle database software place the path to their own JRE installations in the location that is expected by Oracle GoldenGate Director Server. These steps ensure that the JAVA_HOME path is in the expected location within the Path system variable. Leave the Environment Variables dialog box open and follow the instructions in Set the JAVA_HOME System Path. In the Variable Value box, type the correct path to the JRE.Ĭlick OK to set the path and close the dialog box. In the Variable Name box, type JAVA_HOME in capital letters. This opens a dialog box to edit this variable. Select the existing JAVA_HOME variable and then click Edit. Under System Variables, do one of the following:Ĭlick New to create a JAVA_HOME variable. If a JAVA_HOME system variable does not exist, or if it points to the wrong location, continue to the next step. If you see the JAVA_HOME system variable and it points to the correct location, leave the Environment Variables dialog box open and follow the instructions in Set the JAVA_HOME System Path. The JAVA_HOME path should point to the location that you recorded when you installed the JRE. Under System Variables, look for the JAVA_HOME system variable. On the desktop (Windows 2000) or in the Start menu (Windows XP), right-click My Computer and then click Properties.Ĭlick the Advanced tab, and then click Environment Variables. These steps verify that the JAVA_HOME system environment variable points to the JRE that you installed, or creates the variable if absent.
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The instrumentation package available to the driver or passenger include GPS, navigational assisatance, emergency beaconing and dataports. The base model of the M12 has no doors and has a total seating of two (though additional personnel can be carried in the cargo bed, be it a single gunner or multiple additional riders). The M12 Warthog shares parts – and handling characteristics – with the Spade and its sibling frontier trucks, which means that many recruits are already proficient with basic vehicle maintenance and off-road driving skills before they ever arrive at UNSC boot camp. The Warthog is prone to rolling over on tight corners. Massive disc brakes and its automatic braking systems allow the vehicle to come to a near immediate, but controlled stop should the driver be ejected, or choose to leave the vehicle. With proper application of the hand, or "e-brake" the M12 can actually turn on a dime. The Warthog has superb traction on off-road terrain and an updated braking system alongside enhanced suspension. Īll M12-based vehicles are designed to travel both on and off-road, in all weather conditions though it is regarded as a huge, unwieldy, difficult to steer vehicle - until a user learns how to drive it properly. The Warthog can employ " Slop" to help render carbon heavy matter into useable fuel for the power plant or employ a Graf/Hauptman Solar/Saline Actuator to filter water or crack it into fuel. and its hydrogen tanks can power a maximum range of 790 kilometres (490 mi). M12 Warthog variants can have a top speed of 125 kilometres per hour (78 mph) or 100 kilometres per hour (62 mph). M12 Warthogs can use a four-wheel or all-wheel drive system, with active 4 or all-wheel steering, a manual transmission and a 12 litre hydrogen-injected ICE The ICE powers an infinitely variable transmission. By the later stages of the Human-Covenant War, a second chassis variant of the M12 known as the M12B Warthog entered service with some UNSC units. The M12 and its predecessors such as the Z-12 have been a part of the UNSC's mechanized infantry divisions and armored vehicle divisions since 2319, and is the most publicly recognizable vehicle in their arsenal. The most ubiquitous models are the M12 Light Reconnaissance Vehicle variants, which is equipped with advanced surveillance and a turret-mounted machine gun for a basic defensive capability. The M12 Warthog is the most common series within wider Warthog family of vehicles, and saw service throughout the Insurrection and Human-Covenant War until the introduction of the M12B Warthog by late 2552. The M12 Force Application Vehicle ( M12-FAV), more commonly known as the Warthog or simply the Hog, is a fast attack vehicle serving as the United Nations Space Command Armed Forces' primary joint light tactical ground vehicle. " On the battlefield speed is life and the M12 has that in spades – having a great big damn gun don’t hurt, either." - Anonymous E2-BAG/1/7 personnel
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